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Dead-Stock & Ageing Analyser

Paste your stock list — see how much capital is sleeping in pieces over 90, 180 and 365 days old, and the honest call on each: discount, rework or melt.

You know which tray it is. Pieces from two Diwalis ago, a set that came back on exchange, designs nobody has asked for in a year. That money is not lost, it is asleep — and until you count it by age, every month's buying goes into fresh stock while the old stock quietly holds your working capital.

What it will do

  • Sort every piece into 0–90, 90–180, 180–365 and 365+ day buckets from your own stock sheet
  • Show the rupees asleep in each bucket, and what carrying that money costs you a month
  • Split a gold piece into metal, which holds its value, and making and wastage, which are at risk
  • Give each aged piece one call — discount, rework or melt — with the floor price under it
  • Print a clearance list for the counter and a melt list for the karigar, piece by piece

Who reaches for it: Counter jewellers and online sellers carrying mixed gold, silver and imitation stock bought across more than one season.

Move it up the queue

The roadmap is ordered by votes — the most-wanted tool gets built next.

Already included in Lifetime

Dead-Stock & Ageing Analyser — like every tool on the roadmap, and every future tool added to the bench — is part of Tools Pro Lifetime. One payment, forever. AI photoshoots stay on credits.

See Tools Pro · Lifetime ₹1,999

Sellers also ask

When does jewellery stock count as dead stock?

There is no legal figure — go by your own selling cycle. The common counter habit is three buckets: unsold at 90 days is slow, at 180 days it is stuck, past 365 days it is dead. Plated and fashion lines age fastest, because plating dulls and silver tarnishes in a closed drawer, while a plain 916 chain can sit a year and still sell at rate. Date-code every tag so the clock lives on the piece, not in your memory.

Should I discount slow-moving gold stock or melt it back?

Work out the melt return first: stones out, net weight at your karat — 916 for 22K, 750 for 18K — less the melting loss and the refiner's charge, usually a few percent each. Melting gives you back metal, never the making charge and wastage you already paid the karigar. So if the piece can still sell, discount it: the metal is at rate for everyone, and making plus wastage is the whole room you have to move in.

If I rework a hallmarked piece, does it need hallmarking again?

Yes. A HUID belongs to one article; melt it or rework it into a new design and that article is gone. Whatever you sell afterwards as hallmarked goes back to the assaying centre as a fresh article, with a new mark and a fresh charge — a fee per article plus a minimum per consignment. Count that, and the karigar's labour, before you decide rework is cheaper than a discount.

Already on the bench, free today